Happy New Year!
2018 was an absolute blockbuster of a year for seeing growth from artists we have grown to know and love and seeing new artists capture our hearts. This year’s group and solo exhibitions featured 23 artists from across the country. We also celebrated our 10th year in business as a gallery in Westboro Village! We are so thankful for the support we received from everyone who came through our space and contributed to arts community here in Ottawa.
Here is our 2018 roundup featuring outstanding pieces from every show exhibited this year. Each piece featured is available for viewing in person at our gallery.
Febrauary 2018, FLORAGRAPHIC
Nicole Allen, In Our Own Time, acrylic on canvas, 48 x 48 in.
Nicole Allen is an Ottawa artist who explores the ebullient qualities flowers have over our home spaces and our emotions. Allen says of her work, “I do not strive to paint an exact copy of the subject, but to convey its essence through colour, texture and simplified form”
April 2018, Sense of Place
Brian Harvey, Alfama St., Lisbon, acrylic on canvas, 26 x 36 in.
Brian Harvey hails from the Junction neighbourhood of Toronto where he is fully immersed in the inspiring histories of urban living and industry. Buildings, streets, and cities ( and their inhabitants) wear their evolution in a layered and incongruous way for all to see. This creates a captivating visual geometry for the painter as he sets out to show how much we change and adapt as humans, and how our cities follow suit.
May 2018, Linger and Lure
(left) Sharon Kelly, Oceans Foaming, acrylic and mixed media on panel, 30 x 30 in.
(right) Crystal Beshara, Lure, oil on canvas, 24 x 24 in.
While both Sharon Kelly and Crystal Beshara both find themselves constantly enamoured by the natural world, their art follows very different paths. This path, however different though, share a harmony that we thought fit wonderfully together.
Kelly explores the meditative effects of living near bodies of water. Using a tight colour palette, she evokes natural phenomena ranging from a crashing tide to the dry heat of the sun. From there the viewer is insanely transported through their own memories and experiences with water and its surrounding land.
Beshara uses her high realism background to provide structure and composition to her florals and seascapes before finishing her work with a loose expressiveness that evokes the emotions felt when standing by a beautiful seaside, or smelling a bouquet of fresh roses. Crystal is a two-time award winning artist of the Elizabeth Greenshields Foundation Prize, and an elected member of the International Guild of Realism.
June 2018, The Valley
Peter Colbert,Channel 3, acrylic on canvas, 48 x 48 in.
Peter Colbert is a master in taking the complex, the fervent, and the bold and giving it a simplicity that keeps the viewer coming back for more. By parsing down a landscape or a moment in time down to its essential colour palette, Colbert allows the natural design of the painting come through. Another strength of Colbert’s is his mixing of colours that adds a shimmering depth to even the most geometrically tight compositions.
July 2018, RECOLLECTION
Brandon McVittie, Elemental, oil on panel, 36 x 30 in.
Brandon McVittie uses colour and composition to reinstate a feeling from times gone by. A true student of history, McVittie captures the palettes and storytelling elements from Dutch masters while painting scenes inspired by his contemporary life. Recollection saw a wide range of scenes that represent numerous areas of the painters life: World War I-inspired paintings driven by his experience as a historical commission painter, pastor scenes prompted by love of the outdoors and paddling, and allegorical compositions ignited from a life-long pursuit of knowledge.
August 2018, La Forêt des Folies (The Forest of Dreams)
Nathalie Grice, installation view, photo by Kristina Corre
Nathalie Grice is an Ottawa-based multidisciplinary artist fascinated with the symbiotic, but often disharmonious, relationships between humans and the natural world. While we ourselves are mere mammals, our endless industriousness and curiosity pushes us to greatness - and also folly. In our constant growth, our cities have spread far into animal habitats that must adapt or die in our wake. Inspired by this grim reality, Grice created a lifelike tableau of real scale animal sculptures arranged around a bed with pique interest. The installation itself was interactive, inviting the viewer to lay in the bed and feel as if they just woke up in a magical forest. Reality shifts when the viewer realizes the adornments and modifications each animal possesses in their own attempt to adapt to an increasingly urban world. From tattoos and eyelash extensions, to custom car decals etched into their fur, these creatures have taken on our own sub-culture signifiers to become “more like us” in hopes of survival. The overall atmosphere of the installation remained light and peaceful, the perfect tongue-in-cheek arena for more intense commentary.
September 2018, X – The Tenth Anniversary Show
Kelly Grace, On the Shore, acrylic on panel, 40 x 18 in.
Joy Kardish, Piano Practice, platinum palladium photograph on paper, 20 x 13 in.
Drew Mosley, Undercover, acrylic on canvas, 40 x 40 in.
Ava Roth, Honeycomb (Moss),encaustic, cotton thread, birch bark, glass beads, honeycomb, oil, Japanese washi in embroidery hoop
X marks the spot - and the spot to be was our gallery one warm, September evening. With a party to remember, we kicked off celebrations of our tenth year in business celebrating contemporary Canadian art in all its magnificent shapes and sizes. This show featured ten artist from across our roster: Richard Ahnert, Elle Chae, Kelly Grace, Joy Kardish, Nicole Krstin, Vanessa McKernan, Drew Mosley, Ava Roth, Stefan Thompson, and Erin Vincent. This list ranges from artists who have been with us for many years, constantly showing us their talents and growth, to emerging artists that have joined our stable in the last year but that we can’t wait to see more of. We are honoured to have their blessing in our celebration, and it means a lot to have the opportunity to share their work with you every day.
October 2018, TREASURES and SAIGONIA
(above) Olivia Johnston, o dear one, photograph on paper, 32 x 44 in., ed. 1/10
(below) Manny Trinh, Be, acylic on linen, 8 ¼ x 10 in.
We were so proud to host our first solo exhibitions by both of these artists, Olivia Johnston and Manny Trinh. While their mediums varied greatly, they both view the world with a critical eye and a warm heart.
Olivia Johnston (Ottawa) is an award-winning photographer and art history professor at the School of Photographic Arts: Ottawa. This collection was triggered by her life-long obsession with collecting and an observation of how much meaning can be held by even the smallest or most discarded items. Through a strong sense of composition, and a meticulous and effective language for storytelling, Johnston created eight collages recounting memories: some her own, others from family, others of strangers, but all told through objects. The collages, or arrangements, themselves where then photographed and printed for presentation in large format, giving the viewer the eerily real sense that they could reach right out and touch the objects before them.
Manny Trinh (Toronto) was born and raised in Saigon City, Vietnam, before relocating to Toronto with his family as a teenager. Memories from home continue to be a daily part of his art practice as he sets out to reconvey his visual experience through deconstructionist and architectural paintings. His use of shadow creates absolutely life-life feelings of depth and perspective, but then the structures seen give way to abstract mark marking or occasional Escher-like toppling. This could be seen as the “human” element in all of these scenes inspired by real-life. While there are no people in the scenes themselves, the stories behind these man-made structures comes out in full-force as if the images were full of people.
November 2018, transience
David Lidbetter, stray, oil on canvas, 48 x 36 in.
David Lidbetter continues to impress with his absolute command of the Canadian landscape. This collection sought to expand on Lidbetter’s established career as a landscape painter, further establishing the artist’s expansive talents in capturing the quiet and transient nature of modern Canada.
Whether inviting the viewer into the end-of-day hues which settle over a quiet dépaneur - inconspicuous yet integral beacons of rural and urban living in central Canada - or transfixing the viewer with swaths of snow partnered with vibrant skies, Lidbetter commands the ephemeral complexities of the different vistas that make up our visual experience here in Ontario and Quebec. While fitting within the technical legacies of the “Canadian Landscape Painter”, Lidbetter sidesteps the predictability of classic palettes and agreeable rolling hills, preferring scenes that come out of the corner of the eye, leading you toward the less worn path.
December 2018, Coast to Coast and Dark Water
Erica Hawkes, Silver & Gold, acrylic on canvas, 36 x 12 in.
Dominique Normand, Un Jour Dans Tes Filets, acrylic on canvas, 40 x 30 in.
Patti Normand, Hair of the Dog, mixed media diorama in plexiglass cube, 6 x 6 x 6 in.
Coast to Coast, was a two-artist group exhibition celebrating some of the beautiful coastlines this country has to offer. Erica Hawkes lives and paints in West Kelowna, British Columbia where she garners inspiration from the dramatic mountains and Pacific waters. Fluid, dance-like linework is carried by vibrant hues that capture the intensity and serenity the landscape has to offer.
Dominique Normand's artwork shows the love she holds for her Laurentian community of Baie Saint Paul along the edges of the St. Lawrence river. Melding landscapes, abstraction and portraiture, Normand captures all a location has to offer, and brings its vibrancy to the forefront. The artist is very familiar with the varied coasts and terrains of Canada as she has travelled over 60,000km in the past decade to better understand and love this land even more. Normand was also recently selected for the CanadaC3 expedition.
The dioramas of Patti Normand contain multitudes. They are at once dark, hilarious, theatrical, and absolutely impressive in terms of the skill taken to sculpture and create each pieces. Normand (Ottawa) shows the sinister, surreal, and downright magical underpinnings to our otherwise mundane lives through her unique perspective as told through these miniatures.
Thank you one and all for a fantastic year. Here’s to 2019!